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Whether it’s Timbaland’s “Say Something,” The Game’s “100,” Meek Mill’s “R.I.C.O.,” or even newcomer BlocBoy JB’s “Look Alive,” while Drake’s point of view is always different, the success and memorability of his verses are always the same. Much in the same vein as Lil Wayne in his prime, Drake operates like a chameleon, blending into the style and environment of whoever he’s working with until eventually, his unrelenting charm and confidence reach 11. the song where someone else’s hit becomes Drake’s. I'm a dreamer…īest Examples: “Congratulations,” “Show Me A Good Time,” “Lord Knows,” “The Ride,” “Club Paradise,” “Jodeci,” “Tuscan Leather,” “Legend,” “Draft Day,” “Weston Road Flows,” “Teenage Fever” 5. On If You’re Reading This It’s Too Late, “Legend” stands out as the only true example of this type, while Views and More Life only produce “Weston Road Flows” and “Teenage Fever.” Maybe one day we can get an entire album full. 6 because of its inconsistency as a staple sound in his catalog. This particular type of Drake song only clocks in at No. Even loosies like “Jodeci” and “Draft Day" feel like events within themselves because of just how comforting it feels to hear Drake rap over samples of the artists’ work he worships. “Tuscan Leather” and “The Ride,” respectively, are arguably the best opener and closer to two of Drake’s most notable projects, yet they are rarely the first cuts mentioned when discussing Take Care or Nothing Was the Same. Who doesn’t like “Shot For Me” or “Days in the East”? So what if “Ice Melts” is about Drake needing a woman’s attention, even if she’s emotionally spent?! This Young Thug hook is hitting the spot! So why isn’t this category at the very bottom? Because, goddammit, these songs are almost impossible to not enjoy, especially when you’re just in the mood to be sad and irrationally angry. It’s an unfortunate trend in Drake’s music not unlike large swaths of music from his contemporaries, but one that stings more because it’s cloaked in earnestness and penetrates a very real and dark place, emotionally, for many of his listeners. Even “Nothings into Somethings” almost blatantly attempts to guilt trip Serena Williams for getting engaged and being happy. “How About Now” is a vengeful tale of a guy still mad that he made a girl listen to his Degrassi raps when all she wanted to do was play Ludacris instead. People became mesmerized by the charm of “Hotline Bling” without ever realizing it’s essentially a song about Drake telling a woman she should feel bad for doing anything other than pay attention to him. In each track, Drake soothes his love interest by displaying concern for their well-being, wanting the best for them, and pointing out their biggest flaws, but only when it benefits him romantically. It’s important to note that a significant portion of Drake’s romantically-themed music is centered around being a selfish, concern-trolling asshole. There are two things Drake seems to think he’s really great at in life: rapping about love and heartbreak and being rich. the “maybe Drake isn’t such a great guy” love song. The Drake Love Song That Blames His Problems on WomenĪ.K.A. Even as Drake’s style has shifted away from the more manufactured rhyme scheme structures he had shackled himself to during everything prior to Nothing Was the Same, tracks like “6 God,” “Hype,” “Energy,” and “Sacrifices” prove that even when Drake rearranges the furniture, the square footage of his artistic space doesn’t necessarily get any bigger.īest Examples: “Unstoppable,” “Uptown,” “Over,” “Up All Night,” “The Motto,” “We’ll Be Fine,” “Underground Kings,” “Headlines,” “All Me,” “6 God,” “Energy,” “Used To,” “Pop Style,” “Still Here,” “Hype,” “Portland,” “Sacrifices,” "Nice For What" 8.
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Raps juxtaposing his old and new lives, lamentations on being too busy for relationships but never too busy to fall in love, and lavish lifestyle lyrics that could only be described as “finer things porn” litter most of these songs.Ĭonceptually, tracks like “Over” and “Headlines,” “We’ll Be Fine” and “Still Here,” or “All Me” and “Pop Style” feel like software updates rather than brand new products.
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The problem here is that things get repetitive. The Radio-Friendly Drake Rap Hit is rarely ever a misstep, and most of the songs on this list do a much better job at showcasing that, lyrically, Drake could land interesting concepts when he tries.